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Posted on October 09, 2017 / by admin in 2017, Awards, News

 

She’s been everything from a whimsical magical nanny to a woman pretending to be a man pretending to be a woman. On Saturday, she was just Julie Andrews and that’s all the crowd at Guild Hall needed to give her a standing ovation.

The Academy Award-winning actress was honored with a Lifetime Achievement Award by the Hamptons International Film Festival. Before she was presented with the award by the festival’s executive director, Anne Chaisson, Ms. Andrews sat down with festival co-chair Alec Baldwin for a conversation about her career in film. Leading into the conversation was a special screening of “Victor/Victoria,” the 1982 musical comedy written and directed by her late husband, Blake Edwards, in which she plays a soprano singer in 1934 Paris who finds fame posing as a man impersonating a female singer. The film deals with public perception of homosexual relationships and Ms. Andrews described its larger theme.

“The movie is about love of all kinds,” she said. “Blake was able to take that theme and stand it on its head.”

She went on to talking about the challenge of playing a man onscreen, and said she wasn’t sure if the audience would believe her performance. But she started to crystallize her character after studying the mannerisms of co-stars James Garner and Robert Preston.

“Men are much more still, ladies are all about crossing their arms and legs,” she said. “There was one day when I was standing with the other men, and they never treated me like a lady. I had to drop my voice as low as I could, which was not easy. But I trusted Blake so completely and thank God I did.”

Mr. Baldwin asked Ms. Andrews about her quick rise to fame, regarding how she won her Oscar for her iconic performance in the title role of “Mary Poppins,” her first major film role. She admitted to thinking she would lose the coveted award to Anne Bancroft in “The Pumpkin Eater.”

“After I had won, I didn’t show off the Oscar for the longest time. Now, it’s front and center in my home,” she said with a hearty laugh.

As far as her future plans, Ms. Andrews said she’s currently working on the second part of her memoir. She said she has only written her life story up to “Mary Poppins” and hopes to fill in the gaps. When an audience member brought up the fond memories of her concerts with Carol Burnett at Carnegie Hall in 1962 and Lincoln Center in 1971, Ms. Andrews said she’d love to do another project with Ms. Burnett in the future.

“We’ve been trying to do it for a long time,” she said. “We often wanted to keep doing it at different places, like Julie and Carol at the Great Wall of China or Julie and Carol at the Red Square! There’s so many wonderful things going on that I keep thinking to myself, ‘Are we lucky or what?’”

http://www.27east.com/news/article.cfm/General-Interest-EH/535688/HIFF-Julie-Andrews-Talks-Career-Receives-Lifetime-Achievement-Award

Posted on October 09, 2017 / by admin in 2017, Awards, News

Posted on October 06, 2017 / by admin in 2017, News

Beloved, brilliant Julie Andrews talks with Purist about preparedness for superstardom, her favorite things, and her Lifetime Achievement Award, to be presented by Alec Baldwin on October 7 at the Hamptons International Film Festival.

 

By Cristina Cuomo

CRISTINA CUOMO: You have a quote on your site: “The amateur works until they get something right—the professional works until they can’t go wrong.”

JULIE ANDREWS: It was something that was taught to me by my singing teacher many years ago, and I’ve never forgotten it.

CC: Is that a motto to live by?

JA: It’s certainly something to aim for if you want to be a part of this wonderful thing called show biz. Opportunities will come when you least expect them, so do your homework. If you want to be good, then keep working at it, and be ready.

CC: What has been the best surprise in your career?

JA: My first big break was a big step. I was a young singer, just learning how to sing, but I had a rather unusual range, and the first show I ever did in London catapulted me into public awareness. It was just a revue in a London theater, but it did bring me to everyone’s attention. The next big step was going to Broadway, which was a huge learning experience. And then the third step was going to Hollywood. They seemed to come in those categories; I didn’t mix them all up at once. I toured endlessly around England when I was a kid, and then my teens. Then six years or more on Broadway. And then, very fortunately, Disney came calling, so to speak.

CC: Has there been a preferred medium?

JA: No. If you think about it, on stage all of you is present and showing, and you start at the beginning and finish at the end of every performance. In film, it’s close-ups and medium shots and long shots, and you can film out of sequence. In fact, one always films out of sequence. They are very different mediums, but both are hugely delicious and satisfying. I love working with an audience, because that’s something you do literally for the one performance, and it’s shared between you and that particular audience. They don’t know that you—hopefully—were good the night before, or might be good the night after. They want that particular performance for themselves, and so that’s the kind of shared thing you do. Film is probably a lot more careful, but a lot more of a gamble. You don’t have the chance to run it through from start to finish, and you pray that you’ve made the right choices. But it is exciting.

CC: Of the films you’ve made, what are your favorites?

JA: I loved making Victor/Victoria because it was such a breakthrough at the time. I loved making S.O.B., a very dark comedy that my husband also wrote and directed, and a little film he made called That’s Life!. An early film I made about the war, The Americanization of Emily, was written by Paddy Chayefsky and shot in black and white. But obviously, you can’t not include The Sound of MusicThoroughly Modern Millie was wacky and adorable to make.

CC: What has been your experience with the Hamptons International Film Festival?

JA: Blake [Edwards, her late husband] was honored once quite a long time ago, which was very flattering. I am very honored to be honored this year. I was thrilled when they wanted to run the movie [Victor/Victoria] and chat a bit.

CC: How do you feel about being a legend?

JA: I don’t think about it. Truly, I don’t. I’m a mum most and foremost. I have five kids and 10 grandchildren and three great-grandchildren, and that keeps me pretty busy. I just feel very fortunate. I’m a very lucky lady, with a lot of hard work thrown in.

CC: “My Favorite Things” is one of my favorite songs. What are some of your favorite things?

JA: Oh, easy. Believe it or not, pruning my roses in my garden, my lovely two dogs that keep me company and take care of me, my family. Not in any order. Music of all kinds—I love classical most of all, but I love jazz and I love my own songs, anything with Jerome Kern, Stephen Sondheim.

CC: You have a rose named after you.

JA: It’s a small, very English rose and it doesn’t do well in America, sadly—the climate is not suitable, or something. Thank God that didn’t apply to me.

CC: What lasting impact do you hope to have?

JA: As you grow, as you age, as you learn, I think I’ve discovered that it’s the giving that matters. I don’t think about lasting impact. That’s for other people to decide, but what I do is give, and make people feel great. That’s my delight.

 

http://thepuristonline.com/2017/10/hiff-icon-julie-andrews/

Posted on September 11, 2017 / by admin in 2017, Australia, News

IT WAS the role Julie Andrews was meant to play, and one she’s owned ever since. But as it turned out, she’s glad Audrey Hepburn beat her to it.

HER cutglass tones are instantly recognisable and haven’t dulled over the years, so when news.com.au speaks to Dame Julie Andrews we’re half expecting a rendition of “Supercalifragilistic” to explode from the lips of the living legend at any given moment.

But unlike her alter-ego, Mary Poppins, everything in Julie’s sprawling LA home is far from ‘practically perfect.’ During our chat dogs continually bark and phones ring, to both our amusements. “It’s one of those nights,” says the star apologetically. “Everything is going crazy here!”

At 81, Julie is a mother to a natural daughter, her late-husband’s two children, and two adopted children — who she adopted from an orphanage in Vietnam — and she’s also a grandmother ten times over and a three-time great-grandmother. So, it’s understandable that the uncertain times we live in give her cause for concern.

“I do worry,” she says. “In some way it’s the same as back during the Second World War, when my parents worried for me and my brothers and sisters. I do worry a lot … I worry that values are changing. It sounds a bit Pollyanna-ish, but I do mean it, most sincerely.”

 

Continue reading  »

Posted on September 09, 2017 / by admin in 2017, Australia, News

SHE once kept her Oscar for My Fair Lady (Mary Poppins!!!)  in the attic because she felt it wasn’t deserved. Now, at almost 82, Julie Andrews knows her worth.

The stage version of My Fair Lady you directed has toured Australia for a year, and is now back in Sydney where it opened. Musicals come and go — why has this one endured?

Well, for several reasons. At base, it’s a Cinderella story and a love story that emerged at the height of the great golden era of Broadway musicals. And it has everything it needs to have: gorgeous songs and lyrics, phenomenal books, great costumes, incredible choreography and a big, sweeping story of importance about society.

Last year, cast member Robyn Nevin told a journalist you “smell delicious”. Did you know this?

[Laughs.] Oh, no! I wasn’t aware of that, but I’m glad she thought so. I do love perfume — I don’t lather it on, believe me. But if she smelled it on me and liked it, I’m thrilled.

People consider you a legend, and can become flummoxed in your presence. Do you find that a little ridiculous?

Why do you think that is? I mean, it’s not ridiculous to me, but it’s sad. Because I think of all people — well, I hope I’m very approachable. I love talking to people. It’s hard to shut me up, as you’ll probably find within the next several minutes.

 

You have said two of your most famous roles — Mary Poppins and Maria in The Sound of Music — served as feminist icons for generations. Growing up, who played that role for you?

Really early, it was a singing teacher who was a wonderful mentor and a very kind lady — who taught me a great deal about not just singing but also life. I loved the great sopranos, and admired some great movie stars.

I’ll never forget when I did My Fair Lady on Broadway, [actor] Ingrid Bergman came to see our show, as did [opera singer] Maria Callas. And the ladies asked if they could borrow my bathroom after such a long show — which it is — and I hardly dared sit on the toilet seat for weeks after that, I was so impressed.

 

Continue reading  »

Posted on August 01, 2017 / by admin in News

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